John 18-19
Matthew 25:31-46
“J.S. Bach and the St. John Passion”
On Good Friday, April 7, 1724, Johann Sebastian Bach’s St. John Passion was first performed at St. Thomas Church in Leipzig. Through the centuries, this setting has remained one of the most revered musical settings of the Passion narrative. Composed in two parts, intended to be performed before and after a sermon during a Good Friday service, the piece contains the text of John 18-19, sung by a four-part choir and several soloists.
When I started to read about Bach’s St. John Passion, I quickly discovered that there has been significant controversy surrounding its performance in the late 20th and early 21st centuries. Perhaps the average listener without a working knowledge of the German language wouldn’t notice, but there is an issue with how “the Jews” are depicted in the text.
“The Jews” (Juden) are the ones who arrange for Jesus’ arrest, who accuse him of blasphemy, who refuse when the Roman Governor Pilate suggests that he could be released, and who relentlessly call for his crucifixion. In the narrative that is presented, “the Jews” are clearly portrayed as the “bad guys” who killed Jesus the Lord. It’s no surprise that many people have … Read more »

